Kerry was the youngest of his parent's four sons.
His siblings were Raymond Colin John Wright (1932-2017), Robert Harry Wright (1937-1982) and Alan George Wright (b.1940). Because he was so much younger than his brothers who soon flew the nest, he was virtually raised as an only child by his beloved, loving parents, whom he adored.
Kerry was raised on Sydney's picturesque Northern Beaches, where he lived for the first 43 years of his life, with a couple of diversions along the way. He relocated to Annandale in Sydney's leafy, harbourside Inner-West in 1993, and retired to the seaside village of Nambucca Heads on the up-state Pacific east coast of New South Wales in 2015.
Kerry was introduced to the Nambucca Valley in the early 2000s by dear friend, Kevin Hewgill, after Kevin had relocated there from Sydney. Many happy holiday visits followed over the years and it was thanks to Kevin that Kerry ultimately came to retire to that beautiful region of New South Wales, renowned for its spectacular waterfalls, rainforest, wild rivers and pristine beaches.
In his youth, Kerry entered the cloister of the Carmelite Monastery at Winston Hills. After leaving the monastery, he initially found employment in banking, and was later employed for 30 years at Royal North Shore Hospital, St Leonards, where he worked closely with the legendary Professor Kathleen Evelyn (Kathy) Baker for much of that time.
Kerry's maternal, male line can be traced back to his Great-Grandfather and Great-Great-Grandfather, Henry Heath Snr and Henry Heath Jnr, who were London artists and lithographers. They migrated to Adelaide, South Australia, in 1849, where they added Glover to their surname, becoming Henry Heath Glover Snr and Henry Heath Glover Jnr. It is not known why they changed their name.
Henry Heath Glover Snr and Jnr are represented in various collections throughout Australia, including the National Portrait Gallery in Canberra, the National Library of Australia in Canberra, the Art Gallery of South Australia and the State (Mitchell) Library of New South Wales. They are also represented in various collections throughout the world (conduct Google search for latest listings), including the National Portrait Gallery in London, where there are 29 works by Henry Heath Snr, the bequest of Sir Edward Dillon Lott du Cann.
Kerry's maternal, female line can be traced back to his Great-Great-Grandfather, David Senior, a Yorkshire lad from Dewsbury in England, who was arrested for stealing food to feed his family. He was transported to Australia on the convict ship "Theresa" in 1839.
Kerry's paternal genealogy can be traced back to his Wright, Mansfield and Mullens ancestors, who migrated to Australia from Leicestershire and Cambridgeshire in England in the early 1800s. Further particulars continue to be researched and are incomplete at this time.
Kerry followed in the footsteps of his maternal artist ancestors, painting and drawing throughout his life. His preferred artistic medium is oil on canvas, portraiture being his primary passion. Abstraction is another significant interest.
During the 1980s/90s, he calligraphically inscribed the names of graduands onto professional certificates in various disciplines within the nursing profession at Royal North Shore Hospital and for the Institute of Nursing Administrators of NSW & ACT, amongst others.
He produced an extensive portfolio of satirical cartoons during the early 2000s.
He entered paintings in the Archibald Prize, Sulman Prize and Blake Prize without success, and contributed paintings to the Out Art exhibition as part of the Sydney Gay & Lesbian Mardi Gras Festival each year during the 1990s - with success!
Kerry’s godmother, Dorothy Cynthia Shiels nee Murrell (b. 2 Nov 1923), is his cousin. Their mothers, Flora and Gladys, were sisters. A much loved Aunty Mame figure in Kerry's life, Dorothy introduced him to the wonderful world of theatre and the arts from an early age, and often referred to him as the son she never had.
In 2012 Kerry was made a Governor of the Art Gallery of New South Wales Foundation.
