John & Mary: Their Story

 

John Francis Mullens

1878-1940

Mary Ann Mullens nee Wright

1878-1952

This is believed to be my paternal grandparents. I say "believed to be" because I'm not certain. I'll explain.

Fact: Mary Ann Mullens nee Wright (1878-1952) is my father's mother. No verifiable proof exists, however, that she is the woman in this photo.

Fact: John Francis Mullens (1878-1940) was married to Mary Ann. This is definitely a photo of him. It is unknown, however, if he is the biological father of my father, Raymond Harry Wright (1907-1977).

I grew-up knowing a lot about my mother's family, as my maternal grandparents lived next door. I saw them daily up to the time of their deaths in 1960, when I was 10. Dad's parents, however, were rarely spoken of, presumably because John had been dead for nearly ten years when I was born and I was just 2 when Mary died. I grew-up knowing little of them. This continued until relatively recently, when I engaged a genealogist to look into my paternal ancestry.

What was Believed Prior to Engaging the Genealogist

Mary Ann Mullens nee Wright was Dad's mother. She was known in the family as Nanny Mullens. She was married to John Francis Mullens. She had previously been married to Thomas Wright. She had two sons by Thomas Wright: William Percival (1905-1937) and my father Raymond Harry (1907-1977). She also had two sons by John Mullens: Alan (1914-1988) and Reginald John (1920-1976). William was correctly acknowledged in the family as Dad's brother, whereas Alan and Reginald were referred to as Dad's half-brothers. Some time in the 1960s, my parents became estranged from Alan and Reginald and their families. We saw little of them thereafter. I can't recall my parents ever speaking ill of them. They simply seemed to disappear from our lives. I don't know why. 

What the Genealogist Discovered

Mary Ann Mullens nee Wright (Mary)

Mary's family originally came to Australia from Leicestershire in England. The village of Thurmaston is cited and it is thought that the nearby village of Kegworth may have been another location, because later in life Mary gave the name of "Kegworth" to the house where she lived.

Mary's grandparents, Samuel Wright (1820-1899) and Elizabeth Wright nee Smith (1819-1894) departed Plymouth on 31 October 1841 aboard "Himalaya". They arrived at Port Phillip on 26 February 1842. They soon moved from Victoria to the Southern Highlands region of New South Wales. They belonged to a Christian sect called the Israelites, otherwise known as Beardies because they never cut their hair. They had 13 children. Their seventh child, Samuel (1846-1919), was Mary's father. He married Rebecca Mansfield (1859-1923) at Bong Bong on 1 January 1871. Rebecca was born in Balsham Cambridgeshire to John Mansfield and Margaret Casbolt. Samuel and Rebecca had ten children. Mary was their fourth child.

John Francis Mullens (John)

John's father, Robert Mullens (1837-1891) was born in Fermanagh, Ireland. He came to Australia as a child with his parents, Patrick Mullens and Frances McCabe, arriving in Sydney on 28 August 1841 aboard "Percy". They settled in the upper Hunter Valley of New South Wales. On 2 May 1877, Robert married Mary McGolrick (1855-1925), who was born in Fermanagh, Ireland. They married in Littleton, New Zealand, and returned to Australia soon after, settling in Brewarrina in 1878. They had nine children. John was their eldest child.

John & Mary: Their Story

Mary was born and raised in the Southern Highlands of New South Wales, where her father was the inaugural caretaker of Fitzroy Falls. She was born into a strict, fundamentalist sect known as the Israelites (aka Beardies). At some time early in life, she is known to be living on a rural property at Jack's Creek near Willow Tree on the "fertile black soil Liverpool plains of the upper Hunter Valley of New South Wales", this being an exact quote by my father, describing where he was raised. She is known to have worked as a camp cook, travelling with the itinerant shearers throughout NSW during the sheep shearing season. It is presumed that the Willow Tree property was her home base when not travelling. In 1960, my father took my mother and I to Jack's Creek, describing it to us as the place of his childhood. I paddled in the creek. There were no buildings visible from the road.

It is not known how Mary came to be living on an isolated rural property in the north of NSW. Her family lived far away at the opposite end of the state, in southern NSW. However, given her later history, it might be presumed that perhaps she rebelled against her strict religious upbringing and sought to distance herself from the sect into which she had been born. It can't have been an easy life for a woman living alone, travelling the countryside in a horse-drawn wagon.

The first we hear of John is when he is arrested for bigamy on 9 November 1906. He was sentenced to nine months hard labour in Goulburn Gaol. The above photo is his police mugshot, taken at the time of his arrest (hand coloured by Kerry Wright). His first marriage was to Alice Mary Butt with whom he had daughter Ida Bertha Mary. His second (bigamous) marriage was to Elizabeth Maitland, which I'm guessing was annulled/negated as a matter of course.

While this was happening in John's life, Mary had already given birth to William and would soon have her second child, my father Raymond. It is the belief of the genealogist that John was the father of all four of Mary's sons and that the Thomas Wright named as her first husband on my parent's 1932 marriage certificate is a complete fiction. The genealogist could find no record that a Thomas Wright ever existed.

It is not known how John and Mary came to know each other, other than the fact that they both lived in northern NSW and it is presumed they met as a consequence of Mary's travels throughout that area, working as an itinerant camp cook. The genealogist believes that John and Mary were "close", on and off, throughout their young lives and that whenever they did "touch base", another son was the result. It is thought they only came to live together as a family when they moved to Sydney in the 1920s.

Mary and John were not married until 1938, long after Mary's four sons had been born, and just two years before John died in 1940. The genealogist could find no record that Mary had ever been married prior to then. Consequently, all four of Mary's sons were illegitimate - William in 1905, Raymond in 1907, Alan in 1914, Reginald in 1920.

There was also no record found of John and his first (legitimate) wife Alice ever legally divorcing and as Alice did not die until 1957, that would mean the marriage of John and Mary in 1938 was also bigamous.

It could be asked why this situation prevailed for so long between John and Mary. A valid question. The only explanation I can come up with is that perhaps Alice (and the Roman Catholic Church) wouldn't grant John a divorce.

My father, Raymond, told me that the family relocated to Narrabeen on Sydney's Northern Beaches in the 1920s. Given the new information provided by the genealogist, I can well imagine John and Mary arriving at their new suburban home and being readily accepted by their new neighbours as a wholesome married couple with four young sons. It is my belief that my father and the other three boys accepted the untruth told them by John and Mary, that Mary was married to Thomas Wright when she gave birth to William and Raymond, and married to John Mullens when she gave birth to Alan and Reginald. I have no way of knowing what explanation was presented as to what had become of the fictional Thomas.

John and Mary would have certainly kept secret the fact that they were unmarried. If revealed, they would have been ostracized for what was seen as "living in sin", a major disgrace and social taboo at the time. And they would not have been forthcoming in letting their new friends and neighbours know that their four children were born out of wedlock, for the same reason. Such matters were kept deeply secret and never revealed back then. In an era long before the advent of internet searches and police criminal record checks, their secret was safe.

It is my belief that John created a new life for himself with Mary and the boys at the time of their relocation to Narrabeen in the 1920s, and had separated from his first wife Alice by then. I accept this because the genealogist discovered that Alice was living in Surry Hills, an inner-city suburb of Sydney, in 1919. This is known because it was revealed that the daughter of John and Alice, Ida Bertha Mary Mullens (b.1903), was sent to the Parramatta Training School in 1917, after she was found loitering outside the Soldiers' Club and for being uncontrollable. The genealogist's report states that Ida was ". . . conditionally discharged on 16 November 1919 into the care of her mother at their home in Surry Hills." Importantly, Ida was discharged into the care of her mother, not her parents.

John and Mary and the four boys made their new home at 207 Ocean Street, Narrabeen, where Mary ran a guest house which provided seaside holidays exclusively for young women from the city. The house directly backed onto the beach. She named her guesthouse "Kegworth" in tribute to her English ancestry.

The photo above is John's police mugshot taken at the time of his arrest for bigamy. And the other photo is thought to be that of my father's mother, Mary Ann Mullens nee Wright. I say "thought to be" because I can't say for sure. The baby she is holding is thought to be my father's daughter, Kathleen Blanche Wright (1927-1935), by his first wife Mary Brenda Hunt (1909-1927), who died in childbirth. Kathleen (Kathy) died in a traffic accident when she was 8. The photo was found along with photos of other family members in a small wallet that Dad had taken with him to World War II. It seems reasonable to me that Dad would want to include such a lovely photo of his mother and deceased baby daughter in such a collection.

Postscript: In life, John was known as Jack, William was known as Bill, Raymond was known as Ray and Reginald was known as Reg.

Author:

Kerry Wright

20 September 2026

#KerryWright 

#MaryAnnMullens 

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#Narrabeen

#Kegworth

#Israelites

#Beardies

#FitzroyFalls

#JacksCreek

#WillowTree

#LiverpoolPlains

#HunterValley

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#GoulburnGaol

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#NorthernBeaches

Kerry's Biography

Kerry Richard Wright was born on 10 November 1949 at Fairlight on Sydney's Northern Beaches in Australia. [click on images to enlarge them]

Kerry in 1953

Kerry's father, Raymond Harry Wright, was born on 24 November 1907 at the Royal Hospital for Women at Paddington in Sydney and died on 26 May 1977 at 14 Pacific Parade, Dee Why, Sydney (his residence), aged 69.

Ray Wright - 1920s

Kerry's mother, Emily Flora Wright nee Glover, was born on 16 July 1911 at Royal North Shore Hospital at St Leonards in Sydney and died on 19 November 1991 at Delmar Private Hospital at Dee Why in Sydney, aged 80.

Flora & Robert Wright - 1930s 

Kerry was the youngest of his parent's four sons.

Kerry in 1962

Because Kerry was so much younger than his three brothers, who soon flew the nest, he was virtually raised as an only child by his beloved, loving parents, whom he adored.

Ray & Flora Wright, 1970

Kerry was raised on Sydney's picturesque Northern Beaches, where he lived for the first 43 years of his life, with a couple of diversions along the way. He relocated to Annandale in Sydney's leafy, harbourside Inner-West in 1993, and retired to the seaside village of Nambucca Heads on the up-state Pacific east coast of New South Wales in 2015.

Kerry mowing the lawn at Nambucca Heads in 2017

Kerry was introduced to the Nambucca Valley in the early 2000s by dear friend, Kevin Hewgill, after Kevin had relocated there from Sydney. Many happy holiday visits followed over the years and it was thanks to Kevin that Kerry ultimately came to retire to that beautiful region of New South Wales, renowned for its spectacular waterfalls, rainforest, wild rivers and pristine beaches.

"Study for Portrait of Kevin Hewgill" by Kerry Wright - 2023

In his youth, Kerry entered the cloister of the Carmelite Monastery at Winston Hills. The monastery has since fallen victim to the wrecking ball's might and the once sylvan, hilltop site has been reduced to a sad suburban blight of McMansions.

Kerry at Mount Carmel Monastery in 1970

After leaving the monastery, Kerry initially found employment in banking and was later employed for 30 years at Royal North Shore Hospital, St Leonards, where he worked closely with the esteemed Professor Kathleen Evelyn (Kathy) Baker for much of that time. Through his maternal family, he had a long, pre-existing association with Royal North Shore Hospital. His mother was born there in 1911 and family members were part of a committee consisting of local citizens in the 1920/30s involved in volunteering and fundraising.

Kerry at Royal North Shore Hospital in 2003

Kerry's maternal, male line can be traced back to his Great-Grandfather and Great-Great-Grandfather, Henry Heath Snr and Henry Heath Jnr, who were London artists and lithographers. They migrated to Adelaide, South Australia, in 1849, where they added Glover to their surname, becoming Henry Heath Glover Snr and Henry Heath Glover Jnr. It is not known why they changed their name. 

"Mercury Island" by Henry Heath Glover Jnr, c.1864 

Henry Heath Glover Snr and Jnr are represented in various collections throughout Australia, including the National Portrait Gallery in Canberra, the National Library of Australia in Canberra, the Art Gallery of South Australia and the State (Mitchell) Library of New South Wales. They are also represented in various collections throughout the world (conduct Google search for latest listings), including the National Portrait Gallery in London, where there are 29 works by Henry Heath Snr, the bequest of Sir Edward Dillon Lott du Cann.

"To Be Or Not To Be, That Is The Question" by Henry Heath (Glover) Snr, 1827 - National Portrait Gallery, London

Kerry's maternal, female line can be traced back to his Great-Great-Grandfather, David Senior, a Yorkshire lad from Dewsbury in England, who was arrested for stealing food to feed his family. He was transported to Australia on the convict ship "Theresa" in 1839. 

Kerry's paternal genealogy can be traced back to his Wright, Mansfield and Mullens ancestors, who migrated to Australia from Leicestershire and Cambridgeshire in England in the early 1800s. Further particulars continue to be researched and are incomplete at this time.

John Francis Mullens - 1905

Kerry followed in the footsteps of his maternal artist ancestors throughout his life. His preferred artistic medium is oil on canvas, portraiture being his primary passion. 

"Self Portrait in Carmelite Habit" by Kerry Wright - 1970

Abstraction is another significant interest. 

"In the Midnight Brightly" by Kerry Wright - 2001

During the 1980s/90s, Kerry calligraphically inscribed the names of graduands onto professional certificates in various disciplines within the nursing profession at Royal North Shore Hospital and for the Institute of Nursing Administrators of NSW & ACT, amongst others. 

He produced an extensive portfolio of satirical cartoons during the early 2000s. 

"A Baloney of Celebrity Chefs" by Kerry Wright - 2009

Kerry entered paintings in the Archibald Prize, Sulman Prize and Blake Prize without success, and contributed paintings to the Out Art exhibition as part of the Sydney Gay & Lesbian Mardi Gras Festival each year during the 1990s - with success!

"The Ecstasy of Saint Teresa of Avila" by Kerry Wright - 1984

Kerry’s godmother, Dorothy Cynthia Shiels nee Murrell (b. 2 Nov 1923), is his cousin. Their mothers, Flora and Gladys, were sisters. A much loved Aunty Mame figure in Kerry's life, Dorothy introduced him to the wonderful world of theatre and the arts from an early age, and often referred to him as the son she never had. 

Dorothy Shiels - 1952

A constant throughout Kerry’s life has been his cherished, beloved friend, George John Chamberlain. George was born Gerhardus Johannes Van Rooyen at Geita in Tanzania, East Africa, on 28 May 1950, and attended the Hill School at Eldoret in Kenya, before migrating to Australia with his family in 1963 aboard the S S Galileo Galilei from Aden. After serving in the Royal Australian Navy, George moved to Sydney, where he and Kerry met one bright, sunny, Saturday afternoon in February 1973, in the home of mutual friends at 37 Lancaster Crescent, Long Reef, on Sydney’s Northern Beaches.

"Portrait of George Chamberlain" by Kerry Wright - 1980

In 2012 Kerry was honoured to be made a Governor of the Art Gallery of New South Wales Foundation.

Art Gallery of New South Wales

Kerry & Toots - 1960

Kerry Wright

with Toots

Mactier Street, Narrabeen

1960

When I was 7 my big brother, Robert, aged 19, brought home a tiny puppy and begged Mum to allow him to keep her.

Robert claimed the puppy had followed him home, to which Mum responded, "What, on the bus?" Mum had four sons. She'd heard it all before.

At first Mum said no, but soon relented under the weight of ever increasing emotional pressure from Robert, and his assurance that he would take full responsibility for the care and feeding of the puppy.

Soon after, Robert left home to make his own way in the world, and I adopted the puppy.

We had called her Toots because she had such large paws.

Toots and I soon became inseparable. We went everywhere together. She was my best friend.

It broke my heart when she died of cancer when I was 14.

Flora Wright - 1975

Flora Wright
1975

In 1975 George and I were invited to live at 37 Lancaster Crescent, Long Reef, on Sydney’s Northern Beaches. George had boarded there briefly, in 1973, when he first came to Sydney after leaving the Royal Australian Navy. It was at No.37 that George and I first met in February 1973, when he was then lodging there. The deal was that we could live free of charge in the garden flat in return for maintaining the garden for the elderly owner, Mrs Edith Rommel. George and I eagerly agreed. It was an excellent opportunity to save money and the garden flat afforded a private, separate entrance to the property and magnificent views overlooking the Pacific Ocean. Mum and Dad lived at nearby Dee Why and visited often. This charming photo of my beloved mother, Emily Flora Wright nee Glover (known as Flora), was taken on one such visit.

Kerry Wright - 1974

Kerry Wright
1974

In 1974 George and I moved into an apartment at 3 Regent Street, Dee Why, on Sydney’s Northern Beaches. This photo of me was taken there. I was 24. George hadn’t long been out of the Royal Australian Navy and I had previously been living at home with my parents. In the background can be seen a glimpse of the little three-piece lounge suite we bought at the Beard Watson store at Dee Why. Also there, we purchased the Murillo print and lamp seen here. Beard Watson was a lovely store, dating back to the 1800s. Sadly, it has since ceased to be. The apartment was a two bedrooms/one bathroom walk-up and was not far from the beach. We spent much of our leisure time at the beach in those days, hence my sun tan. The rent was $30 per week, which now seems unimaginably low, but was average for the time. We were destined to live there for just 12 months – but that’s another story.  

George Chamberlain - 1973

George Chamberlain
1973

In mid-1973 George moved to a cute little garden flat at 45 Cumberland Avenue, Collaroy. I have many happy memories from that time. 

Not long ago, I was driving through the Northern Beaches when, for no particular reason, I took an unplanned detour along Cumberland Avenue. I parked outside No.45 and looked down the side passage, which I knew led to the garden flat at the rear of the property. It had been nearly four decades since last I was there. 

For some reason I can’t explain, I experienced the most startling and totally unexpected emotional reaction. I sobbed my heart out, sitting there in the car on that glorious summer day. At the time, I couldn’t quite understand why I had reacted as I did. Certainly, I was not experiencing any feelings of sadness. I now believe they were tears of joy for all the happy times George and I shared there, so very long ago. 

This photo shows George in the garden at No.45. The owner of the house was the elderly Australian artist, Mavis Dawson, who painted under her maiden name, Mavis Mallinson. Hanging in George’s garden flat was Mrs Dawson’s painting, “The Doomed Castle”. Its charming depiction of mermaids frolicking amidst a storm-tossed sea absolutely enchanted me and when George and I moved to an apartment at nearby Dee Why in 1974, I purchased the painting from Mrs Dawson as a keepsake. “The Doomed Castle” is with me still and always will be. It is one of my most treasured possessions:

"The Doomed Castle"

by Mavis Mallinson

George Chamberlain - February 1973

George Chamberlain
February 1973

Here’s George, photographed in the very room where we first met at 37 Lancaster Crescent, Long Reef, on Sydney’s Northern Beaches. It was February 1973 and George  had recently left the Royal Australian Navy. On the day we met, I had collected my friend, Paul, from Grace Bros at Warringah Mall, after he finished work (and yes, he did work in the menswear department). Shops closed at 12 midday on Saturdays back then. It was a hot, sunny, summer day. Paul lived opposite the beach at Narrabeen and we had planned to spend the afternoon at the beach. En route, as we passed through Long Reef, Paul mentioned that he had a friend who lived nearby. He suggested we make a brief detour and call in to say hello. And the rest is history! George and I have been friends ever since. The house at No.37 had spectacular views far out to sea and south along the Pacific coast as far as the Macquarie lighthouse at Vaucluse. It has since been demolished and a palatial new residence erected in its place. George and I visited the building site not so long ago and the builders allowed us to look around. Ah, the memories! 

Kerry Wright - ca.1972

What can I say, it was the 1970s! Everyone had big hair back then!

Flora Wright - Early-1970s

My dear mother, Emily Flora Wright (known as Flora) nee Glover (1911-1991), pictured in the garden of my brother's home at Belrose in Sydney in the early 1970s. 

Carmelite Monastery

"Self Portrait in Carmelite Habit" 
 Kerry Wright, 1970 
Oils on canvas
60cm x 50cm (24in x 20in)

I have been sketching and painting my own image since childhood. The above self portrait is one of my first serious attempts at capturing my likeness in oils on canvas. This is how I viewed myself, albeit sans spectacles, during my time at Mount Carmel Monastery in Sydney. I had entered the Carmelite Order to study for the priesthood. Alas, however, over a period of time, I came to realize that I did not possess the religious vocation I had so fervently hoped and prayed would be mine during my adolescence. So I left the monastery and got on with my life in the secular world. It was a memorable experience and I met some wonderful people in the monastery. Certainly, I harbour no regrets about my time spent within the Carmelite cloister. In fact, I'm glad I went in, because if I hadn't done so, I would always wonder if I was meant to be a priest. It was a time of intense self-reflection in my life, which is evident in the above self portrait.

Here’s a selection of photos from my Carmelite photo album:

^ Here I am in the monastery’s rose garden. Filled with hope and high expectations. I was so very young and naïve.

^ That’s me beneath the white cowl of the Carmelites with capuche raised. The monastery grounds occupied an entire hilltop in outer Sydney and comprised a small working farm as well as the monastic building complex itself. Everything has long since fallen victim to the city’s ever increasing suburban sprawl. The grounds have been subdivided into new streets of gaudy, ostentatious McMansions. The beautiful monastery building itself, with its pretty little chapel, laid waste by the bulldozer’s might. George and I recently made a pilgrimage back to the site and were very saddened by the over development of what had once been such an idyllic, sylvan setting, with not so much as a plaque to signify a monastery had once stood there.

^ I’m seen here within the monastery grounds. It all seems so very long ago.

^ With Mum and Dad on visiting day. There was a visiting day once each month. Visitors were not permitted to enter the cloister proper. They were restricted to the visitors’ parlours and the monastery grounds. I am wearing the white cowl of the Carmelites.

^ A beautiful photo of my beloved mother, taken on visiting day with two of her grandchildren, Susan and Matthew.

^ Mum and Dad in the monastery's rose garden.

Kerry Wright - 1968

Kerry Wright

1968

I’m pictured here in my bedroom at Mum and Dad’s home in Dee Why on Sydney’s Northern Beaches, doing something that occupied much of my time in those days – painting and listening to music. My musical tastes were somewhat eclectic back then. I enjoyed both classical and popular music. Nowadays, it’s strictly only classical music for me. I’m wearing headphones so as not to inflict my musical tastes upon my parents. I am holding the recently completed portrait of a friend, Ian, from that time. I don’t know what’s become of the painting. Both it and Ian vanished from my life long ago. Hanging on the wall in the background can be seen various other examples of my artwork, including paintings of the Sacred Heart of Jesus, the Blessed Virgin Mary, and my copy of a portrait of the German Romantic painter, Philipp Otto Runge, who I considered to be most handsome; albeit in a tragic, consumptive kinda way:

Philipp Otto Runge

Ray & Flora Wright - 27 January 1969

Ray & Flora Wright 

27 January 1969

Two photos of my mother and father, Ray and Flora Wright, taken on the same day – 27 January 1969. We were off for a day out in the city. The first photo shows Mum and Dad leaving their home at Dee Why on Sydney’s Northern Beaches. We took a bus to the city, where I was scheduled to serve the 8 a.m. Mass at St Patrick’s Church in Grosvenor Street. During 1969, I served the 8 a.m. Mass every weekday morning at St Patrick’s and also the Benediction on Wednesday and Friday evenings. I worked at nearby Circular Quay at the time. The second photo shows Mum and Dad in the garden courtyard below St Patrick’s. That's a garden bed full of  petunias surrounding the statue of St Joseph in the foreground - very colourful in real life. We took the stairs seen here in the background, which led to the sacristy, where a nun can be seen peeking around the corner. Mum and Dad sat in the private pews to the side of the altar, adjoining the sacristy, unseen from the main body of the church. Following Mass we saw the Peter Cook and Dudley Moore comedy movie “Bedazzled” at the Town Cinema in Pitt Street near Town Hall and then had lunch. It was a lovely day.

Gladys Ann Murrell - 1969

Gladys Ann Murrell nee Glover, 1906-1991

Mum's sister, my Aunty Glad, at Dee Why on Sydney's Northern Beaches in 1969.

Dorothy Shiels - 1969

Dorothy Cynthia Shiels nee Murrell

1969

Dorothy is my cousin, the daughter of my Aunty Glad (Gladys Ann Murrell nee Glover). Aunty Glad is my mother's sister. Dorothy is also my godmother. She is proudly pictured here at Dee Why on Sydney's Northern Beaches in 1969, with her newly-purchased Mini.

Dorothy Shiels & Kerry Wright - 1961

Dorothy Shiels & Kerry Wright

1961

Whilst recently conducting a major house clean, I came across this charming photo secreted within the pages of a book in my library. I’d forgotten I had it. It was taken at a family wedding reception at the grand old Australia Hotel (since demolished) in Martin Place, Sydney, in late 1961, just a couple of weeks after my twelfth birthday. With me is my cousin and godmother, Dorothy Cynthia Shiels nee Murrell (b.1923), who is the daughter of my mother’s sister, Gladys Murrell nee Glover. Yep, it’s true, I really do have a godmother named Dorothy. No wisecracks about Fairy Godmothers, please! (wink) It was Dorothy who first took me to the Art Gallery of New South Wales, live theatre and various other assorted museums and galleries around town, here in Sydney. It’s Dorothy I have to thank for awaking in me my enduring love and interest in culture and the arts. My very own Auntie Mame! 

Possibly Sarah Jane Turner with her youngest daughter, Sarah Anne - ca.1880

Possibly Sarah Jane Turner

with her youngest daughter, Sarah Anne

ca.1880

I came upon this photo only recently amongst my late mother's (Emily Flora Wright nee Glover) personal effects. As with most of the photos in her collection, there's nothing to indicate who these people are. It seems to have been a tradition in my family to never write anything on the back of family photos. For that reason, I don't know for sure who these people are.

Mum's mother, Louise Mary Glover nee Turner was born in 1870, meaning she'd be about the age of this woman around the turn of the century, if that's when this photo was taken. However, as she didn't marry until 1899, it is unlikely to be her, as this appears to be a mother and child study to me.

The fact that the photo was taken at Falcon Studios in North Sydney is an indication that they are from my Mum's side of the family, not Dad's. Louisa Mary's family had a farm at Roseville Chase at that time, near the present Roseville Bridge, not all that far from North Sydney, whereas Dad's family lived far away in the upper Hunter Valley of New South Wales.

My cousin, Dorothy Shiels (b.1923), believes this may be Louisa Mary's mother, my maternal great-grandmother, Sarah Jane Turner nee Senior (1850-1889), with her daughter, Louisa Mary (my grandmother), as a child, meaning it would date from the 1870s.

Confused? Me too!

What Dorothy's hypothesis does not explain, however, is why Louisa Mary was photographed alone with her mother and not with her twin sister, Theresa Jane, also being present. Surely the twins, Louisa and Theresa, would have been photographed together with their mother.

Sarah Jane Turner had two other daughters, Elizabeth Emily (1876-1802) and Sarah Anne (1878-1947), so it may be one of them photographed with their mother.

Sarah Jane predeceased her husband, my maternal great-grandfather, William Turner (1844-1892), in 1889, aged 38. William died only a few years later, in 1892, aged 48.

They left behind six orphan children, the youngest of whom was Sarah Anne, aged just 14 at the time of her father's death.

It seems reasonable to assume that my grandmother, Louisa Mary, the eldest child, took Sarah Anne under her wing, following the death of their father. Louisa Mary was 22 when their father died. She was unmarried at the time, not marrying until 1899. Certainly, they remained close throughout their lives, Sarah Anne being known affectionately throughout the family as Aunty Doll.

If this is, indeed, a photo of my great-grandmother, Sarah Jane Turner, with her youngest child, Sarah Anne, I am prepared to venture that it may have been found and kept by my mother, Emily Flora Wright nee Glover, within the possessions of her mother, Louisa Mary Glover nee Turner, following the death of the latter.

By way of background as to the reason for William Turner's early death, the story in the family has it that he left the farm at Roseville Chase one morning, bound for the markets in Sydney. He was driving a horse and dray. The horse returned to the farm alone, later in the day. A search party went out, and William was found dead by the side of the road, crushed under the dray, which had rolled on top of him. The reason for the accident is unknown.

I do not know the reason for Sarah Jane death at the age of 38.

I guess we'll never know for sure who these people are! Genealogy can be so frustrating!

George John Chamberlain - 1966

George John Chamberlain

Royal Australian Navy

1966