Mum & Me, 1954

Mum & Me, 1954
Mum & Me, 1954
Showing posts with label Australia. Show all posts
Showing posts with label Australia. Show all posts

Friday, February 14, 2020

Kerry & Toots - 1960


Kerry Wright
with Toots
Mactier Street, Narrabeen
1960

When I was 7 my big brother, Robert, aged 19, brought home a tiny puppy and begged Mum to allow him to keep her.

Robert claimed the puppy had followed him home, to which Mum responded, "What, on the bus?" Mum had four sons. She'd heard it all before.

At first Mum said no, but soon relented under the weight of ever increasing emotional pressure from Robert, and his assurance that he would take full responsibility for the care and feeding of the puppy.

Soon after, Robert left home to make his own way in the world, and I adopted the puppy.

We had called her Toots because she had such large paws.

Toots and I soon became inseparable. We went everywhere together. She was my best friend.

It broke my heart when she died of cancer when I was 14.

Wednesday, February 20, 2013

Flora Wright - 1975


Flora Wright
1975

In 1975 George and I were invited to live at 37 Lancaster Crescent, Long Reef, on Sydney’s Northern Beaches. George had boarded there briefly, in 1973, when he first came to Sydney after leaving the Royal Australian Navy. It was at No.37 that George and I first met in February 1973, when he was then lodging there. The deal was that we could live free of charge in the garden flat in return for maintaining the garden for the elderly owner, Mrs Edith Rommel. George and I eagerly agreed. It was an excellent opportunity to save money and the garden flat afforded a private, separate entrance to the property and magnificent views overlooking the Pacific Ocean. Mum and Dad lived at nearby Dee Why and visited often. This charming photo of my beloved mother, Emily Flora Wright nee Glover (known as Flora), was taken on one such visit.




Saturday, February 16, 2013

Kerry Wright - 1974


Kerry Wright
1974

In 1974 George and I moved into an apartment at 3 Regent Street, Dee Why, on Sydney’s Northern Beaches. This photo of me was taken there. I was 24. George hadn’t long been out of the Royal Australian Navy and I had previously been living at home with my parents. In the background can be seen a glimpse of the little three-piece lounge suite we bought at the Beard Watson store at Dee Why. Also there, we purchased the Murillo print and lamp seen here. Beard Watson was a lovely store, dating back to the 1800s. Sadly, it has since ceased to be. The apartment was a two bedrooms/one bathroom walk-up and was not far from the beach. We spent much of our leisure time at the beach in those days, hence my sun tan. The rent was $30 per week, which now seems unimaginably low, but was average for the time. We were destined to live there for just 12 months – but that’s another story.  


Sunday, December 9, 2012

George Chamberlain - 1973


George Chamberlain
1973

In mid-1973 George moved to a cute little garden flat at 45 Cumberland Avenue, Collaroy. I have many happy memories from that time. 

Not long ago, I was driving through the Northern Beaches when, for no particular reason, I took an unplanned detour along Cumberland Avenue. I parked outside No.45 and looked down the side passage, which I knew led to the garden flat at the rear of the property. It had been nearly four decades since last I was there. 

For some reason I can’t explain, I experienced the most startling and totally unexpected emotional reaction. I sobbed my heart out, sitting there in the car on that glorious summer day. At the time, I couldn’t quite understand why I had reacted as I did. Certainly, I was not experiencing any feelings of sadness. I now believe they were tears of joy for all the happy times George and I shared there, so very long ago. 

This photo shows George in the garden at No.45. The owner of the house was the elderly Australian artist, Mavis Dawson, who painted under her maiden name, Mavis Mallinson. Hanging in George’s garden flat was Mrs Dawson’s painting, “The Doomed Castle”. Its charming depiction of mermaids frolicking amidst a storm-tossed sea absolutely enchanted me and when George and I moved to an apartment at nearby Dee Why in 1974, I purchased the painting from Mrs Dawson as a keepsake. “The Doomed Castle” is with me still and always will be. It is one of my most treasured possessions:

"The Doomed Castle"
by Mavis Mallinson





Saturday, December 1, 2012

George Chamberlain - February 1973


George Chamberlain
February 1973

Here’s George, photographed in the very room where we first met at 37 Lancaster Crescent, Long Reef, on Sydney’s Northern Beaches. It was February 1973 and George  had recently left the Royal Australian Navy. On the day we met, I had collected my friend, Paul, from Grace Bros at Warringah Mall, after he finished work (and yes, he did work in the menswear department). Shops closed at 12 midday on Saturdays back then. It was a hot, sunny, summer day. Paul lived opposite the beach at Narrabeen and we had planned to spend the afternoon at the beach. En route, as we passed through Long Reef, Paul mentioned that he had a friend who lived nearby. He suggested we make a brief detour and call in to say hello. And the rest is history! George and I have been friends ever since. The house at No.37 had spectacular views far out to sea and south along the Pacific coast as far as the Macquarie lighthouse at Vaucluse. It has since been demolished and a palatial new residence erected in its place. George and I visited the building site not so long ago and the builders allowed us to look around. Ah, the memories! 




Sunday, November 18, 2012

Sunday, November 11, 2012

Flora Wright - Early-1970s


My dear mother, Emily Flora Wright (known as Flora) nee Glover (1911-1991), pictured in the garden of my brother's home at Belrose in Sydney in the early 1970s. 


Thursday, September 6, 2012

Carmelite Monastery


"Self Portrait in Carmelite Habit" 
 Kerry Wright, 1970 
Oils on canvas
60cm x 50cm (24in x 20in)

I have been sketching and painting my own image since childhood. The above self portrait is one of my first serious attempts at capturing my likeness in oils on canvas. This is how I viewed myself, albeit sans spectacles, during my time at Mount Carmel Monastery in Sydney. I had entered the Carmelite Order to study for the priesthood. Alas, however, over a period of time, I came to realize that I did not possess the religious vocation I had so fervently hoped and prayed would be mine during my adolescence. So I left the monastery and got on with my life in the secular world. It was a memorable experience and I met some wonderful people in the monastery. Certainly, I harbour no regrets about my time spent within the Carmelite cloister. In fact, I'm glad I went in, because if I hadn't done so, I would always wonder if I was meant to be a priest. It was a time of intense self-reflection in my life, which is evident in the above self portrait.

Here’s a selection of photos from my Carmelite photo album:


^ Here I am in the monastery’s rose garden. Filled with hope and high expectations. I was so very young and naïve.

^ That’s me beneath the white cowl of the Carmelites with capuche raised. The monastery grounds occupied an entire hilltop in outer Sydney and comprised a small working farm as well as the monastic building complex itself. Everything has long since fallen victim to the city’s ever increasing suburban sprawl. The grounds have been subdivided into new streets of gaudy, ostentatious McMansions. The beautiful monastery building itself, with its pretty little chapel, laid waste by the bulldozer’s might. George and I recently made a pilgrimage back to the site and were very saddened by the over development of what had once been such an idyllic, sylvan setting, with not so much as a plaque to signify a monastery had once stood there.

^ I’m seen here within the monastery grounds. It all seems so very long ago.

^ With Mum and Dad on visiting day. There was a visiting day once each month. Visitors were not permitted to enter the cloister proper. They were restricted to the visitors’ parlours and the monastery grounds. I am wearing the white cowl of the Carmelites.

^ A beautiful photo of my beloved mother, taken on visiting day with two of her grandchildren, Susan and Matthew.

Mum and Dad in the monastery's rose garden.



Saturday, June 30, 2012

Kerry Wright - 1968



Kerry Wright
1968

I’m pictured here in my bedroom at Mum and Dad’s home in Dee Why on Sydney’s Northern Beaches, doing something that occupied much of my time in those days – painting and listening to music. My musical tastes were somewhat eclectic back then. I enjoyed both classical and popular music. Nowadays, it’s strictly only classical music for me. I’m wearing headphones so as not to inflict my musical tastes upon my parents. I am holding the recently completed portrait of a friend, Ian, from that time. I don’t know what’s become of the painting. Both it and Ian vanished from my life long ago. Hanging on the wall in the background can be seen various other examples of my artwork, including paintings of the Sacred Heart of Jesus, the Blessed Virgin Mary, and my copy of a portrait of the German Romantic painter, Philipp Otto Runge, who I considered to be most handsome; albeit in a tragic, consumptive kinda way:

Philipp Otto Runge



Ray & Flora Wright - 27 January 1969


Ray & Flora Wright 
27 January 1969

Two photos of my mother and father, Ray and Flora Wright, taken on the same day – 27 January 1969. We were off for a day out in the city. The first photo shows Mum and Dad leaving their home at Dee Why on Sydney’s Northern Beaches. We took a bus to the city, where I was scheduled to serve the 8 a.m. Mass at St Patrick’s Church in Grosvenor Street. During 1969, I served the 8 a.m. Mass every weekday morning at St Patrick’s and also the Benediction on Wednesday and Friday evenings. I worked at nearby Circular Quay at the time. The second photo shows Mum and Dad in the garden courtyard below St Patrick’s. That's a garden bed full of  petunias surrounding the statue of St Joseph in the foreground - very colourful in real life. We took the stairs seen here in the background, which led to the sacristy, where a nun can be seen peeking around the corner. Mum and Dad sat in the private pews to the side of the altar, adjoining the sacristy, unseen from the main body of the church. Following Mass we saw the Peter Cook and Dudley Moore comedy movie “Bedazzled” at the Town Cinema in Pitt Street near Town Hall and then had lunch. It was a lovely day.




Gladys Ann Murrell - 1969


Gladys Ann Murrell nee Glover, 1906-1991

Mum's sister, my Aunty Glad, at Dee Why on Sydney's Northern Beaches in 1969.



Dorothy Shiels - 1969


Dorothy Cynthia Shiels nee Murrell
1969

Dorothy is my cousin, the daughter of my Aunty Glad (Gladys Ann Murrell nee Glover). Aunty Glad is my mother's sister. Dorothy is also my godmother. She is proudly pictured here at Dee Why on Sydney's Northern Beaches in 1969, with her newly-purchased Mini.


Sunday, May 6, 2012

Possibly Sarah Jane Turner with her youngest daughter, Sarah Anne - ca.1880


Possibly Sarah Jane Turner
with her youngest daughter, Sarah Anne
ca.1880

I came upon this photo only recently amongst my late mother's (Emily Flora Wright nee Glover) personal effects. As with most of the photos in her collection, there's nothing to indicate who these people are. It seems to have been a tradition in my family to never write anything on the back of family photos. For that reason, I don't know for sure who these people are.

Mum's mother, Louise Mary Glover nee Turner was born in 1870, meaning she'd be about the age of this woman around the turn of the century, if that's when this photo was taken. However, as she didn't marry until 1899, it is unlikely to be her, as this appears to be a mother and child study to me.

The fact that the photo was taken at Falcon Studios in North Sydney is an indication that they are from my Mum's side of the family, not Dad's. Louisa Mary's family had a farm at Roseville Chase at that time, near the present Roseville Bridge, not all that far from North Sydney, whereas Dad's family lived far away in the upper Hunter Valley of New South Wales.

My cousin, Dorothy Shiels (b.1923), believes this may be Louisa Mary's mother, my maternal great-grandmother, Sarah Jane Turner nee Senior (1850-1889), with her daughter, Louisa Mary (my grandmother), as a child, meaning it would date from the 1870s.

Confused? Me too!

What Dorothy's hypothesis does not explain, however, is why Louisa Mary was photographed alone with her mother and not with her twin sister, Theresa Jane, also being present. Surely the twins, Louisa and Theresa, would have been photographed together with their mother.

Sarah Jane Turner had two other daughters, Elizabeth Emily (1876-1802) and Sarah Anne (1878-1947), so it may be one of them photographed with their mother.

Sarah Jane predeceased her husband, my maternal great-grandfather, William Turner (1844-1892), in 1889, aged 38. William died only a few years later, in 1892, aged 48.

They left behind six orphan children, the youngest of whom was Sarah Anne, aged just 14 at the time of her father's death.

It seems reasonable to assume that my grandmother, Louisa Mary, the eldest child, took Sarah Anne under her wing, following the death of their father. Louisa Mary was 22 when their father died. She was unmarried at the time, not marrying until 1899. Certainly, they remained close throughout their lives, Sarah Anne being known affectionately throughout the family as Aunty Doll.

If this is, indeed, a photo of my great-grandmother, Sarah Jane Turner, with her youngest child, Sarah Anne, I am prepared to venture that it may have been found and kept by my mother, Emily Flora Wright nee Glover, within the possessions of her mother, Louisa Mary Glover nee Turner, following the death of the latter.

By way of background as to the reason for William Turner's early death, the story in the family has it that he left the farm at Roseville Chase one morning, bound for the markets in Sydney. He was driving a horse and dray. The horse returned to the farm alone, later in the day. A search party went out, and William was found dead by the side of the road, crushed under the dray, which had rolled on top of him. The reason for the accident is unknown.

I do not know the reason for Sarah Jane death at the age of 38.

I guess we'll never know for sure who these people are! Genealogy can be so frustrating!

Thursday, January 12, 2012

George Henry & Louisa Mary Glover - Late-1950s



George Henry & Louisa Mary Glover
Late-1950s

My maternal grandparents, George Henry and Louisa Mary (May) Glover (nee Turner). Nanny was born on 26 August 1870 and Papa on 26 December 1874. Nanny had a twin sister, Theresa, who died in 1920 and is buried at Waverley Cemetery at Bronte in Sydney. My cousin/godmother, Dorothy Shiels, tells me Nanny visited Theresa's grave each year on her birthday, August 26. She'd take Dorothy, her granddaughter, with her. Dorothy would cut the grass on the grave with a pair of scissors they took with them, specifically for that purpose.

Nanny and Papa met when they were in-service together at one of the grand old stately homes located at The Glebe in Sydney in the late-1800s. My grandmother was the lady’s maid, meaning she attended exclusively to the requirements of the lady of the house, and my grandfather was the coachman, looking after the family’s carriages and horses - today he’d be the chauffeur.

After leaving service, they settled at Crows Nest on Sydney’s Lower North Shore where they raised their five children, George, Keith, Gladys, Colin and Flora. Flora, their youngest, born 1911, is my mother. A sixth child, Laurence, died in infancy. 

The family holidayed at Narrabeen on Sydney’s Northern Beaches each year and at some time in the 1920s they decided to move there permanently. They lived at 8 Mactier Street and we lived next door at number 10. They died within weeks of each other in 1960. Though I was only 10 when they died, I can still see them clearly in my mind's eye and have vivid recollections of sitting on their front verandah with Nanny when I was just a small child, listening to the stories she told. She was a great story-teller. 

On my way to school each morning, I would call in on Nanny to say good-bye for the day. I usually found her in her darkened, Victorianesque bedroom, cluttered with porcelain vases and figurines, brushing her long white hair vigorously. After many strokes of the brush, it was ultimately fashioned into a bun at the back of her head, held in place by a hair-net. From what I remember, Papa was usually pottering in his garden while all this was going on. He loved his garden and took a great deal of pride in it. I can still conjure-up the beautiful fragrance of his sweet peas to this very day.

Mum and Aunty Glad cared for Nanny through her final illness. Mum later told me she had suggested to Papa that perhaps he might be more comfortable in another bed during that sad time. Apparently he responded that he had been sleeping alongside his beloved May for the past 70 years and wasn't about to change beds any time soon. And that's exactly where he was, sleeping beside her, when she passed away. He died soon after at nearby Manly Hospital, following a massive haemorrhage.

They are pictured above on the front verandah of their home at 8 Mactier Street. The French doors behind them lead to their bedroom, where Nanny died. There’s no date recorded, but it pictures them as I remember them, meaning it would have been taken some time in the late 1950s. Their remains are interred beside each other at Northern Suburbs Memorial Gardens & Crematorium in Sydney's North Ryde.


Friday, August 5, 2011

Kerry Wright with Toots - 27 July 1958


Kerry Wright with Toots
27 July 1958

When I was 8, Mum called in a professional photographer to take a series of photos of me with my dog, Toots. This is my favourite photo from that series. My brother, Robert, brought Toots home when she was just a tiny ball of fluff. He begged Mum to let her stay. Mum at first refused but soon relented, on the proviso that Robert would take responsibility for the dog’s care. Not long after, Robert left home for good and I adopted Toots as my own. Even when she was just a tiny puppy, Toots had very large paws, which is how she got her name. She hadn't been with us for long and was still only a big overgrown pup when this sweet photo was taken on 27 July 1958. Toots was with us for just seven short years, during which time she and I became inseparable companions. She was my best friend and we went everywhere together. It broke my heart when she died of bowel cancer when I was 14. 

Monday, June 6, 2011

Kerry Wright, et al - 1955


In 1955, when I was 5, I began my schooling at Narrabeen Infants' School, located in Ocean Street, Narrabeen, at the corner of King Street, not far from my childhood home in nearby Mactier Street. Here I am in the 1955 kindergarten class of post-WWII Baby Boomers. That's me, Kerry Wright, in the third row from the front, fifth from the left. I spent three years at Narrabeen Infants' School from 1955-1957. It was only a short walk from home and Mum would walk me across busy Pittwater Road each morning, to see me safely on my way. 

All the teachers were female and generally caring for the most part, albeit in a somewhat strict authoritarian way, in accordance with the teaching methods of the day. The school was in an absolutely stunning location, with its main entrance directly opposite the ocean. The school grounds were generously planted with grand old statuesque pine trees, one of which can be seen in the above photo. 

I vividly remember two incidents from my time at Narrabeen Infants', one good and the other not so good. First the good. All the children were assembled one day to hear a visitor speak about classical music. Among other pieces, she played a recording of Claude Debussy's beautiful "Claire de Lune" on the gramophone. It left an indelible impression upon me, starting a life-long love and appreciation of classical music that continues to this very day. 

And the not so good? You will remember that I mentioned how strict the teachers were. It was the teaching style of the day. Children were expected to sit still and not speak. Well, on this one particular occasion, I remember I needed to wee-wee very urgently. My dilemma was that I was too shy and nervous to raise my hand and bring the attention of the entire class to me, not to mention the possible wrath of the teacher. So I sat tight, hoping I would be able to make it through to the next break. Alas, that was not to be. With startling clarity, I can still recall looking down into my lap and seeing a triangular shaped yellow puddle, contained by my trembling little legs in their grey serge school-shorts. Not exactly a propitious beginning to my academic career.


Wednesday, June 1, 2011

A Walk Down Memory Lane

There’s been much mention here of Narrabeen, the seaside suburb on Sydney’s Northern Beaches, where I was raised. I recently had an opportunity to, quite literally, take a nostalgic walk down Memory Lane and, as a consequence, compiled this photo essay. Come join me on my walk, won’t you? You are very welcome to come along.

^ My friend, George, asked me to take care of his treasured rose garden while he’s on vacation in Queensland. It’ll only be for a week. Just watering and light maintenance. George lives at Narrabeen on Sydney’s Northern Beaches, not far from where I grew-up. One morning, after watering George’s beautiful roses, I decide to set-off on a walk back in time, through my childhood. To get us in the mood, here’s an image of sunrise over the Pacific Ocean, as seen from the cliffs above Narrabeen beach, close to where George lives. (Click on the images to enlarge them)

^ I take the short walk from George’s house, along the lakeside, estuary path that leads to Narrabeen beach, where the lake empties into the Pacific Ocean. It’s a beautiful, bright, clear, summer morning. The air is invigoratingly laced with the brisk, sharp saltiness of sea spray blowing off the ocean. The constant, rumbling ebb and flow of the breakers on the nearby beach accompanies me as I walk on. There aren’t many people out at this early hour.

^ I continue along the path leading to the rocky platform of the reef, below Narrabeen cliffs. There’s a steep, precipitous cliff to my immediate left, a bright yellow and black sign warning, “Beware falling rocks.” To my right is the dazzling, golden sweep of Narrabeen beach as it stretches southward towards Collaroy and Long Reef. Just as I take this snap, an elderly lady tiptoes into frame, tentatively taking a morning paddle. The large building on the beach, to the right of the picture is North Narrabeen Surf Life Saving Club, where sun-bronzed Aussie lifesavers hang-out in their little red speedos. Their "kiss of life" gives them power over life and death.  

^ The waves are breaking over the reef as the surf swells, so I decide against progressing further. Instead, I walk along the ocean wall enclosing the rock swimming pool. I have to jump to avoid the waves rolling in, as they crash over the wall. There are a few board riders bobbing on the waves in the distance.

I return along the path from whence I came. This is where the waters of the lake narrow, as they progress along their circuitous route, before emptying into the ocean. It looks peaceful on days such as this, but in storms and when there’s a king tide running, this tranquil waterway turns into a deadly, raging torrent, the sandbar swept away and deposited miles out to sea.  A school friend of mine was drowned near here.  He was English, aged nine, didn’t know the danger. We all lined the street in school uniform, as his hearse passed by. That’s Ocean Street bridge to the left.

^ I continue walking along the lakeside estuary path, almost to the Ocean Street intersection. Before getting there, I take the wooden, cliff-side stairs to the top of the cliff. The stairs are firmly fixed to the heavily wooded cliff-face, making several twists and turns before reaching the top.

^ At the top of the cliff, I come to an overgrown path, leading through the undergrowth. Though it can’t be seen through the dense foliage, I am aware from the sound of the surf pounding on the reef below, that the sheer drop of the cliff is not far away. It’s peaceful here, protected from the biting sea breeze by the surrounding vegetation, the air warm and heavy with the scent of eucalyptus. The hearty, cliff-top scrub has the characteristic look of all such coastal flora – gnarled, bent, windswept, tough.

^ I come to a grassy clearing and walk towards the cliff-top lookout. I take a seat on the park bench to catch my breath, while I enjoy the beautiful view of the coast below.

^ East: The next four photos, commencing with this one, were all taken from the lookout seen in the previous photo and should be viewed as a complete panoramic sequence looking south and reading left (east) to right (west). This first photo is looking due east, straight out to sea. Far below, the ocean waves break on the reef at the base of the cliff. Over the distant curve of the horizon is New Zealand. Beyond that, Chile.

^ South-East: The estuary, where the lake waters pass over the reef and empty into the ocean. Way off in the distance, across the water, can be seen Long Reef, as it stretches out into the Pacific Ocean. It was in Lancaster Crescent at Long Reef that George and I first met in February 1973, through a mutual friend. Long Reef holds so many wonderfully happy memories for me. On a more somber note, Long Reef is where my ashes will be scattered one day. They are to be cast upon the waters on the night of the full moon, as the moon rises out of the ocean and the tide rushes out to sea. But not yet!

^ South: The beautiful Narrabeen coastline. North Narrabeen in the foreground. South Narrabeen, where I grew-up, in the middle distance. Collaroy in the far distance. Long Reef off camera, to the left. It is said that everyone of a certain age knows exactly what they were doing when they heard of JFKs assassination. I’m no exception. I was on that stretch of golden sand in the immediate foreground when I heard. I was studying for my lifesaving certificate, practicing resuscitating a classmate. A fellow student rushed up to us on the sand, excitedly declaring, “Someone shot the American President”.

^ West: The Narrabeen Lake estuary, with the coastal waters of the lake visible beyond the Ocean Street bridge and causeway. The waters of the lake proper stretch off camera to the west. 

^ I take the wooden steps down to the lakeside path, which leads to North Narrabeen beach. From there I walk along the beach to South Narrabeen, where I grew up. This photo shows South Narrabeen beach, looking south towards Collaroy in the middle distance and Long Reef in the far distance, as seen from the end of Mactier Street,  the street where my childhood home was located. It’s still early, with few people out and about. The air is warm with a refreshing ocean breeze blowing. It was fun to paddle in the sea, as I walked along the beach. The water was quite cold and made my toes tingle.

^ I sit on the beach at the end of Mactier Street and gaze out to sea. If these sands could speak, oh what a tale they would tell. When one thinks of ghosts, the usual imagery that comes to mind is of haunted houses and graveyards. For me, however, here be ghosts! All of them friendly. This was my playground when I was a child. I spent much of my time here. As I sit here today, my parents and many other loved ones from my childhood are not far away. In fact, this apparently deserted beach is not deserted at all. I am surrounded by loved ones here today.

^ For example, here’s a little chap I know very well. His name is Kerry. He is a sensitive, shy, introspective child, who loves to splash and play in the sea. This photo of me was taken at the same place the previous two above photos were taken, on South Narrabeen beach at the end of Mactier Street.

^ I leave the beach and walk directly inland along Mactier Street, where my childhood home was once located. Our humble little seaside house was demolished long ago, to make way for apartments. I walk over the Mactier Street hill and pass by where my Aunty Glad, Uncle Eric and cousin Dorothy once lived, their house also sadly long since gone. Not far from the sea, I come to Narrabeen Lake. I walk along the lakeside path; the big, old, lichen-covered she-oak trees shading my progress. As a child, they reminded me of the apple-throwing trees from The Wizard of Oz. They still do.

^ I take a seat on a park bench, under the shade of the she-oaks, and gaze out over the tranquil waters of the lake. Ducks paddle close to shore. Memories come flooding back to me. This is only a short walk from my childhood home and I had many happy times playing here.

^ I leave the path and walk down to the lake shore. Ducks outnumber people at this early hour. As they glide past, they quack gently to each other, as if in hushed, conspiratorial conversation.  The barely perceptible, gently murmuring ebb and flow of the wavelets lap languorously at the shore. The air is moderately warm, carrying with it the distinctly subtle, fecund scent of lake water, mixed with the ever-present perfume of the eucalyptus trees.

^ As I walk back from the water’s edge, I appear to have attracted a cute, waddlesome entourage. I take a seat on a nearby park bench, open my knapsack, and share a banana sandwich with my new-found, feathered friends.

 The path leads me closer to the reed-beds at the lake’s edge, where the boughs of the she-oaks hang low. It was near here that an old boatshed once stood. We children would hire canoes and paddle off for a day of high adventure, our parents stressing that we must keep close to the shoreline. My maternal grandparents lived next-door to us. My father and grandfather would sometimes hire a row-boat from the boatshed and enjoy a day of fishing together on the lake.

^ The path leads away from the water’s edge and starts to climb through the dense undergrowth towards Collaroy Plateau. This short-cut to the summit is known only to locals, specifically local children. The increasingly steep, serpentine path meanders through the bush as the warmth of the sun shines down on my back. In time, the path gives way to steep steps, cut into the bedrock of the escarpment. 

^ A beautiful vista greets me at the top.

^ Narrabeen coastline, looking north. The headland in the distance is where I started my walk. I walked along the beach to Mactier Street and then walked inland to the lake. In the foreground, to the left of this picture, near the lake’s edge, can be seen a traffic roundabout. That’s Mactier Street, where I was raised. My family lived at the ocean end of the street, to the right, off camera. In 1770,  Captain James Cook sailed up the coast here, as he charted the Australian east coast in his ship, His Majesty’s Barque Endeavour. Cook claimed the east coast under instruction from King George III of England on 22 August 1770, naming eastern AustraliaNew South Wales”.

^ Captain James Cook RN, 1728–1779

^ Long before the arrival of Captain Cook, there lived on the banks of this lake an Aboriginal princess named Narrabeen. In the local Aboriginal dialect, the word Narrabeen means “Swan”.  At school, we were taught the legend about the heroic young woman, Narrabeen, who ran to seek help from friendly neighbours, when her people were under attack from a hostile, invading tribe. Narrabeen, the seaside suburb of Sydney, is located approximately  23 km (14 miles) north of the city.

^ And so I walk back to North Narrabeen via Ocean Street and pick a lovely bunch of George's beautiful roses from his garden (He said I could!) before driving home to Sydney's Inner West, where I live. The roses look stunning on my coffee table.